| Tagore, Abanindranath
(1871-1951) painter and man of letters, was born in the Tagore family
at Jorasanko in Kolkata on 7 August 1871; his father was Gunendranath
Tagore. Abanindranath's formal schooling started in a Normal School in
1876; later he read in Sanskrit College for some days, but left it (1890)
before taking the Entrance examination. He learnt English, French, Sanskrit
and Bangla and studied Bangla literature and music on his own.
His artistic bent took him to painting, initially in the Western
style, then in the oriental style. He took lessons in painting
from the Italian painter Guilardi, the English Palmer, the Japanese
Taikan and others. He, however, felt most comfortable with the
Indian style. Fine art in India got a new lease of life in his
hands. His most brilliant works are paintings such as Nirbasita
Yaksa (Yaksa in exile), Bharatmata (Mother India) and
Shahjahaner Mrtyu (Death of Shahjahan).
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Abanindranath Tagore |
He founded the Indian Society of Oriental Art (1970).
His paintings were displayed at exhibitions in London, Paris and Japan.
Abnindranath became principal of the Art College of Kolkata
in 1898 and continued to teach here before joining the University of Calcutta
as Bageshri professor in 1921. He joined the Visva-Bharati University
as its chancellor in 1942. He took an active part in the movement for
bangla language,
denunciation of foreign-made clothes, Rakhibandhan festival, movement
for the development of local industries etc.
He was noted for his literary genius too; his critiques
of fine arts are notable for their refined artistic judgement. His important
writings include Shakuntala (1895), Ksirer Putul (The sweetmeat
doll, 1896), Rajkahini O Bharatshilpa (The story of the Raj and
Art of India, 1909), Banglar Vrata (Festivities of Bengal, 1919),
Khajanchir Khata O Priyadarshika (Ledger-book and the Fair Lady,
1921), Chitraksar (Painting, 1929), Bageshvari Shilpa (Art
of the Muse, 1941), Jodasankor Dhare (Living at Jorasanko, 1944),
Sahaj Chitra Shiksa (Easy way to learn paintings, 1946), four volumes
of stories (1846), Apan Katha (My own stories, 1946), Bharat
Shilper Sadanga (Six Components of Indian Fine Art, 1947), Alor
Phulki (Sparks of fire, 1947), Bharat Shilpe Murti (Image in
Indian arts, 1947), Shilpayan (Fine Art, 1955), Kishor Sanchayan
(Stories for the Young, 1960), Badshahi Galpa (Stories of Kings,
1976), etc. He died in Kolkata on 5 December 1951.
[Dulal Sarker]
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