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Manipuri, The one of the many ethnic communities in
Bangladesh. Their original homeland is Manipur, once a sovereign state
and now the northeastern zonal state of India.
In the early days, Manipur had different names such as Kyangleipak,
Kyangkleipang, Kyanglei, Meitrabak, and Mekhali
and the Manipuris were known as Meitei. During the reign
of Maharaj Garibniwaz (1709-1748), some missionaries arrived here
from sylhet.
There was an opinion that these missionaries named this land 'Manipur'
and its principal inhabitants, Manipuris. The mahabharata
has a mention of Manipur and the missionaries but as it was discovered
later, Manipur of Mahabharata and Manipur of Sylhet were not the
same place. Manipuris migrated to the Bangladesh area and settled
here at different times due to wars, conflicts and other socio-political
reasons.
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Manipuri dance |
Their migration started during the reign of Rajarshi
Bhagyachandra (1764-1789) and the process was accelerated by the Manipur-Burma
War (1819-1825) which is a black chapter in the history of Manipur. After
the war with Burma, Manipur was ruled by the Burmese invaders for about
seven years. During that period, King Chourajit Singh along with two younger
brothers, Marjit Singh and Gambhir Singh took refuge in Sylhet. A hoard
of Manipuri subjects followed them. A palace was built at that time at
Mirzajangal of Sylhet town.
kasba
of Brahmanbaria, Durgapur of Mymensingh, and Tejgaon of Dhaka became Manipuri
settlements during this period. However, these places are not special
Manipuri settlements at present. Most Manipuris now live in Sylhet town
and its suburbs, and kamalganj,
sreemangal,
kulaura
and barlekha
thanas of maulvi
bazar district; chunarughat
thana of habiganj
district, and chhatak
thana of sunamganj
district. According to the 1991 Population Census, there are about 25,000
Manipuris in Bangladesh. Of them about 13,000 are in Maulvi Bazar, 7,000
in Sylhet and 4,000 in Habiganj.
Historically, Manipuris are grouped into seven yek
or salais. These are Ningthauja, Luwang, Khuman,
Moirang, Angom, Chenglei and Khaba-Nganba.
Each yek or salai is again divided into many Shageis. Subsequently,
these yek or salais were converted to Vaisnavite sects. In this
way Ningthauja yeks became Shandilya gotra, Khumans-Moudgalya,
Moirangs-Atreya and Angirasya, Angom-Goutama, Luwang-Kashyapa,
Chenglei-Bashistha and Angirasya and Khaba-Nganba-Bharadwaj
and Naimisya.
Ethnologically, Manipuris belong to the Kuki-Chin
group of the Tibeto-Burman family of the Mongolian race. But a good admixture
of Aryan and other blood groups also took place in the mainstream of Manipuri
nation. Because of its special geographical location and as a result of
several religious and political interactions, Manipur became the melting
point of different ethnic groups and cultures from the time immemorial.
This assimilation resulted in the formation of the modern Meitei
people who are now widely known as Manipuri.
Meitei Lon or Manipuri language, the mother tongue of the Manipuri people, belongs to the Kuki-Chin group of the Tibeto-Burman sub-family of the Mongolian family of languages. Manipuri literature is very old. It has a rich and variegated history and traditions. Manipuri language is now the state language of Manipur and is recognised as one of the national languages of India. The earliest gem of Manipuri literature is Ougri, a lyrical verse, which is believed to have been sung in the honour of the sun god in 33 AD on the coronation ceremony of the Manipuri king Pakhangba. But the first written Manipuri literature is found in a copper plate of the 8th century, inscribed during the reign of Maharaja Khongteckcha. At present, Manipuri literature is growing very fast and many a writings of the modern Manipuri literature have been honoured in India with the Sahitya Academy awards. In the field of translation also Manipuri does not fall far back. It has to its credit the translations of ramayana, Mahabharata, Sreemadbhagavatgita, Bible and many a classic writings of rabindranath tagore, Tolstoy, Shakespeare, Homer, Bernard Shaw, Sophocles, bankimchandra chattopadhyay and sharat chandra chattopadhyay. A characteristic feature of the old Manipuri script is its each and every alphabet named according to a limb of human body. Their shapes are also in consonance with those of the limbs. The script was substituted by Bengali script in the 18th century during the reign of Raja Garibniwaj to forge a closer relation with the newly preached Chaitanya School of Sanatana Dharma which originated in Bengal. The history of Manipuri literature took a new turn in 1975 with the formation of 'Bangladesh Manipuri Sahitya Sangsad' and publication of Manipuri literary magazine Dipanvita. Bangladesh Manipuri Sahitya Sangsad publishes an irregular journal named Meira (flame). Many other Manipuri organisations have also been publishing literary journals such as Epom, Shajibu, Mitkapthokpa and Khollao. In 1982, Bangladesh Manipuri Sahitya Sangsad published a book of Manipuri poems Basanta Kunnipalaji Leibang, which is the first of its kind in Bangladesh. In 1990, it published another book Bangladesher Manipuri Kabita containing 20 Manipuri poems of 10 selected Manipuri poets of Bangladesh. Subsequently, 2 other books of Manipuri poems Myang Mapei Marakta and Wakhalji Nachom were published. Some books on Manipuri subjects have also been published in Bengali language. Manipuri culture has a rich and colourful tradition. Dance and music play a vital role in the life span of Manipuri people. The most flourishing branch of Manipuri culture is dance. The Manipuri synonym of dance is jagoi and in this dance, body movements create either circle or ellipse. Rasa dance is the finest product of Manipuri culture. Maharaj Bhagyachandra innovated it and it was first performed in Manipur in 1779 in the fullmoon of Kartik. Variations of Manipuri dance can be grouped into two broad classes: folk dance and shastriya or classical dance. Manipuri folk dance includes Laiharaoba, Khamba-Thoibi, Meibi Jagoi and Leisham Jagoi, while Rasa, Gostha leela, Udukhol and Mridanga fall under the classical group. Manipuri dance was brought to the horizon of outside world by Rabindranath Tagore. He first witnessed the Manipuri dance in a visit to Sylhet in 1919. Soon, he introduced teaching of the dance at santiniketan. Manipuri dance is characterised by its lashya (gentleness), tenderness, and devotion. Laiharaoba is full of sweet elegance, grace and a gesture of dedication. Thyang-Ta, Mridonga Nritya and some forms of Shri Krishna Nartan display boundlessness of the emotions of life. Khamba-Thoibi dance demonstrates a balanced combination of Tanva (forceful form) and lashya.
Almost all Manipuris are now the followers of the chaitanya
cult of Sanatana Dharma. But before accepting the Sanatana Dharma
in the 18th century, Manipuris practised Apokpa Dharma.
They, however, did not altogether renounce their earlier religious beliefs.
Their rites and rituals reflect a synthesis of the old and new beliefs.
Manipuris observe with great grandeur the religious ceremonies of Sanatana
Dharma like rathayatra,
Rasa Purnima, Jhulanjatra and also those of their traditional culture
such as Laiharaoba and Sajibu Chairaoba and worship household
deities such as Sanamahi, Pakangba, and Leimaren. Many Manipuris
now follow the teachings of islam
also. They are known as Meitei Pangon or Manipuri Muslims. Rites,
rituals and beliefs are part and parcel of the day to day life of Manipuris.
They observe special religious ceremonies and customary rituals on major
occasions of life such as birth, marriage and death. [AK Sheram]
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